Essentially, the tool lets you perform complex cloning and healing tasks with fine-tunable brushes that can modified, flipped and rescaled. DxO has a new ReTouch tool (formerly called the Repair tool) to help you fulfil those needs. In any workflow, the odds are you will need to clone out the odd crisp packet, sensor spot or heal skin blemishes.
Relative and Perceptual intents are available too. You can now check how images look in different ICC colour spaces including those paper profiles that you use for home or lab printing. Toggling between the two options reveals notable differences especially in the blues and greens which are much brighter.Īnother addition is a soft proofing function. Before I do, I should first cover the other key changes in version 6 and also say that PhotoLab 6 is fully supported by DxO’s renowned correction profiles with thousands of camera/lens combinations available.ĭxO has reengineered its colour processing algorithms and there is a new extended working colour space called DxO Wide Gamut with a broader colour range than its Classic colour space.
In PhotoLab 6, the technology has been advanced further with the addition of DeepPRIME XD (eXtreme Detail).Īs a regular and keen user of DeepPRIME, I was keen to check out the benefits of the XD setting. It started with Prime and that evolved to the even more effective DeepPRIME, and those skills are available in PhotoLab 5 and PureRaw 2. The updates to PhotoLab 6 from the previous version aren’t huge but they are significant and worthwhile if you want the best image quality, especially from high ISO images.ĭxO has possibly the best Raw demosaicing and denoising technology available in any software, although I’m sure ON1 and Topaz will have a view on that.
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